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2018-2019 / Deconstructing the image

From abstraction to deconstructing the figurative image

I let go of trying to identify with the zero sum paradigm between figuration and abstraction. I used to think that if there was an image derived from a figurative reality, it could not be considered abstract. Yet, in my abstract compositions, I notice figureoids and spaces that compose a narrative image, like a scene in a story.

 

I further explored into working directly from source images. In one test, I paint an image of a portrait or a landscape and wash it away with large quantities of liquefied paint using repetitive large gestures. In another test, I use quick gestures and thinned down paint to create an image that is blurred through movement. The process of destroying the source image as well as observing the traces of image that are left behind allowed me to construct a new relationship between a figuration and abstraction.

Girl Untitled

Girl Untitled is a series of paintings that reinterprets an image of a girl in motion.  I was inspired by a very blurry image of a girl running in a hallway. Something about the motion of the girl being frozen in time intrigued me, perhaps because the figure resides in an interface between stillness and motion.   I reinterpret the figure of the girl in several landscapes inspired by the nature in Taiwan. The immersive scale of the landscape envelopes the figure of the girl, who is often encapsulated in a virtual bubble. 

 

I use sweeping gestures of fluid paint to let the traces of dripping paint compose the underlying structure of the landscape, which are then selectively covered with more saturated layers of flat surfaces, sometimes leaving fragments of the underlying fluid layer. The disruption of spatial depth from the flat surfaces and the addition of imagined pictorial elements transform the existing landscape, referenced in the Google map link provided in the caption, into an imagined space.  I am interested in the unconscious connections between the landscape and the inner child figure, such as the bridge, the waterfall and the forest, which are all spaces of transition.  The process of covering the underlying fluid paint layer echoes the psychological process of reinterpreting memories from a childhood past into a new narrative that resides in between a reconstructed reality and an imagined space.

Reconfigure

In this series of oil paintings I explore the process of effacing, reconfiguring and reframing.   I compose a first image using fluid textures because it allows for ambiguous borders, forms and structures to form.  I then work on a process of reframing the first image through another layer of flat, saturated paint to cover parts of the first image, or reveal forms that are present in the first image.  The process of covering and selective revelation of the first image echoes an interior, psychological process of consciously reframing the past.   

Scrolling Unconscious

This projet scolaire (school assignment) uses internet image search tools as an interface to understand my unconscious thinking.  I type in keywords from my dreams and I create real size internet paintings of my image search results.  Sometimes, I paint screenshots of my unconscious browsing and the internet ads that appear in the browsing process. 

© 2016 by Wang Yi-Wei Proudly created with Wix.com

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